GENEROUSCITY AUG 25
Underground System
An unstoppable female-fronted collective of Fela Kuti-worshipping rabble-rousers, rhythm-makers, and neo-afrobeat deconstructionists.
Locobeach
Brooklyn-based Cumbia pop meets Latin disco with a psychedelic, spaghetti-western edge that can only be experienced live or captured on vinyl.
Sinkane
Sudanese artist Ahmed Gallab makes feel-good music for trying times; slinky funk, soulful grooves, and sparkling melodies with nomadic roots.
BACKYARD BARDS SEPT 1
SZLACHETKA
“A soundtrack for the highway and the heartland, inspired by the people (and places) he’s left behind in the rearview mirror.” - Rolling Stone
Hayley Reardon
Cambridge based singer-songwriter who crafts melancholy masterpieces described as brilliantly moving folk/pop with a lyrical depth and soul
Seth Glier
Know for his activism and otherworldly voice, Easthampton's Grammy-nominated folk-pop icon brings it home to his own back yard
COSMOPOLIS SEPT 8
Zeshan B
Tempestuous soul arias, urban love dramas, Memphis blues, and civil rights anthems performed with an idiomatically Indo-Pakistani feel.
Sidewalk Chalk
"It’s easy to sample Charles Mingus, but it’s far harder to make music that Mingus would have liked." - Afropunk
Jon Caroll
“A one man band, a poet, a songwriter, a singer of every kind of song and above all, a musician’s musician..." - Mary Chapin Carpenter
EASTHAMPTON IRISH FEST SEPT 15
Winifred Horan Trio
Back by popular demand, the award winning fiddle player from the Irish supergroup, Solas has returned to help curate our second annual Irish Festival.
Makem Brothers
The sons of Irish folk icon, Tommy Makem (of Clancy Brothers fame) uphold tradition and bring new life to their family's storied place in Irish music.
John Williams
"His playing seems to come from beyond him, as if the accordion is playing him instead of the other way around." ~ The Irish American Post
Gaslight Tinkers
An irresistible blend of global rhythms woven around a core of traditional Irish fiddle that will have you up on your feet dancing.